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Worthington, a marketing machine, sends tweets and email to promote his business. The art, however, is just part of the work. And someone else will see something else.' 'I'll give it a title, and then you may see something different in it. 'My work all leans toward abstract therefore, when you look at it, it causes a thought process,' he said. Whatever the medium, he hopes that his works provide pleasure and inspire pensiveness. Though best-known for his sculptures, he has made functional art (funky furniture, for example) and paintings - including the abstract cityscapes on display at the Dublin gallery. 'In the time I've known him, he's evolved four or five times.' The art of Worthington - like the artist - has changed through the years. Outside, tall and twisting sculptures seem to sprout from the ground alongside stands of trees. The structure brims with art - his, his father's, other artists' - and pictures of his children (Brooke, 33 and Brando, 24). Worthington shares his home, a log cabin about 30 miles northwest of Columbus, with his wife, Mary, and their dog, Maddie. His sculpting studio, in an outbuilding near his home in Ostrander, resembles a body shop - with cans of automotive paint lining many shelves and saws and welding tools filling nooks and crannies. 'You can put beautiful finishes on it, paint it up real nice.' His first sculpture was a welded iron piece, rusty and geometric.Įventually, he moved on to aluminum - still his metal of choice. fill up the whole truck for 10 bucks,' he said. 'I could pull up and start picking out pieces of steel and iron, and. He practiced on metal coat hangers and, for supplies, drove to a junkyard. Seeking to make something similar, he found a shop that sold welding and brazing equipment, told the person at the counter what he wanted to do and started work. Something about it, he said, clicked with him, even though he hadn't welded before. He transferred a few times but, after moving to central Ohio in 1975, quit to focus on art.Īt some point, he said, he came across a piece of junk art - 'just scrap metal that was welded together and called a sculpture.' 'It was excellent business training for me.' In 1968, he returned home to Canton and accepted a job at a finance company - work he enjoyed. He was drafted into the Army the next year and later sent to Vietnam. 'It was like turning on a spigot: I would trade them and get another one.'Īfter his 1965 graduation from Glenwood High School in Canton, he took a job on an assembly line building washing machines. 'I went through so many motorcycles,' Worthington said. He bought his first bike, a Husqvarna, at age 13 or 14. 'I would say motorcycles were his biggest love,' recalled his sister, Holly Laiben. They often dragged Worthington, along with his brother and sister, to museums in Canton and Cleveland.Īs a youngster in Canton, he was more taken with motorcycles.

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His father, Jack, made 144 of the bronze busts at the Pro Football Hall of Fame in Canton his mother, Marion, did silver work and enameling. The son of two artists started learning about art at an early age.

Though born John MacLaren Worthington, he has always gone by the nickname Mac. 'Mac Worthington's gallery is one of the signature. 'Everybody knows who he is,' said Wayne Lawson, former executive director of the Ohio Arts Council.īetsy Pandora, executive director of the Short North Alliance, agreed. The exhibit, consisting of 32 paintings and sculptures, continues through March 27.īesides showing his work in public outlets such as the council gallery, Worthington has long operated a namesake gallery in the Short North - and sold thousands of pieces throughout the United States and parts of Europe. 'I'm a good salesman,' said Worthington, who, with his wild gray hair and small round glasses, looks like a cross between Albert Einstein and John Lennon.

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The 67-year-old Ohio native, a longtime fixture of the Columbus-area arts scene, has made a living as an artist since the 1970s - and not only because he knows how to sculpt and paint. Not missing a beat, Worthington replied: 'To still know where the next meal's coming from.' 'What's your goal as an artist in the next five to 10 years?' asked David Guion, executive director of the council.

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Mac Worthington, the artist behind the 'Urban Sprawls' exhibit, moved to the front of the room to answer a few questions about his work. At the stately riverside mansion that houses the Dublin Arts Council, dozens of people spent an evening late last month sipping wine, nibbling hors d'oeuvres and admiring colorful abstract paintings and sculptures of cityscapes.

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